The Return of John McClane
Thursday, June 28th, 2007Is a winner.
I went ahead and busted loose from my somewhat (read: way too) insular routine and caught an afternoon matinee of this Wednesday, Opening Day.
I loved it. A fine action movie. Definitely the best Die Hard since the first.
Nits may be picked, of course. It’s based on a seminal work promulgating the “Electronic Pearl Harbor” myth, John Carlin’s WIRED article “A Farewell to Arms,” ably debunked by Great EPH Trasher George Smith on his Dick Destiny Blog and in (much) more detail here. But even as the curmudgeonly Smith seems to admit, it’s a plenty-good premise for an action flick.
Despite some … imposing … stunts and special effects, the dreaded Michael Bay Effect I alluded to in my earlier post seemed missing. There is one moment, when McClane leaps from a stricken F-35 strike fighter to a fallen freeway overpass - I’d preface that with a spoiler warning, but since it’s in every freakin’ TV trailer, there seems little point, yes? But even that doesn’t stretch belief’s suspension bridge into Galloping Gertie the way, say, Obi-Wan Jr. and Miz Scarlett surviving a 65-story fall down a skyscraper does in The Island. (Nice save attempt to Bay and his screenwriters for having the rotund black construction guy say, “I know Jesus loves you.” But, no.)
Actually, the whole third act is basically the same as in True Lies. Fortunately it leaves out anything near as creepy as the Arnold-stalking-his-wife-Jamie-Lee subplot. Unfortunately it does entail going the hated Screaming Female Hostage route. Still, there’s something about an SCF who invites the lead bad guy to step outside and settle things face-to-face: points on for that.
Overall I loved it. The Apple Mac is engaging as the would-be white hat programmer caught up in schemes beyond his dreams who winds up as unwilling partner to the crusty McClane. McClane himself still comes across as a basically believable character who’s still, yes, resourceful, unbelievably tenacious, and, yes, just a wee bit lucky. The lunch-pail approach, even to the most extraordinary challenges, that made the character stand out in the first film seems very much intact. The interaction between the two male leads doesn’t become cloying. Silent Bob Kevin Smith plays, basically, Kevin Smith as super-cracker. Of course, there do seem to be fewer “character-based” moments in this than in the original.
Still, it works. The action is mostly crisp and fairly convincing. The villains are … deeply OK. Timothy Olyphant is sinister but petulant in a role better played by Eric Bogosian in Under Siege 2: Dark Territory, but then, no one wrote him dialogue as crisp and cool as, “Ladies and gentlemen, this is your captor speaking…” Maggie Q is incendiary - kinda literally, there at the end - as usual, playing the Head Henchwoman. And just as in last year’s (also superb) Casino Royale, there’s a goon who practices the eccentric French roof-hopping sport of parkour.
It’s a shame the movie doesn’t sport more memorable antagonists. I suppose a villain of Hans Gruber’s magnitude and coolness factor is a lightning-in-a-bottle sort of thing. And they are certainly adequate; they don’t detract. They simply don’t add that much.
On the whole, though, it’s excellent. There’s even a nicely understated message on the true nature of heroism: that it consists simply in doing what must be done when there’s no one else to do it. Which strikes me as fairly Heinleinian.